Over at GeekRex, I reviewed a pair of new releases. First, The Maze Runner, the newest hopeful in the Young Adult Dystopia brawls that brought us The Hunger Games, Divergent, How I Live Now, and more. Can this mysterious adventure story survive in the recent glut of like-minded movies? Then I wrote up The Two Faces of January, a measured, mature thriller from the writer of Drive.
Check out my review of The Maze Runner here
Then try my review of The Two Faces of January
For The Solute, I wrote a brief piece on whether it’s fair to judge documentaries by the same standards we judge most other films, and what that question has to do with my earlier review of Last Days in Vietnam.
Click here to read my thoughts at The Solute.
Upcoming documentary Last Days in Vietnam is essential viewing for history buffs, but its impressive archival footage isn’t well-served by this dry recitation.
Check out my review of Last Days in Vietnam at GeekRex.
Over at GeekRex, I reviewed Leaving Megalopolis, a graphic novel from Gail Simone and Jim Calafiore initially released on Kickstarter, but coming to a comic shop/book store near you courtesy of Dark Horse.
Click here for my Leaving Megalopolis review.
Lately, Marvel Studios has been getting a lot of attention on the process of how they make the movies they make. In part because of the recent chance they took on low-budget schlockmeister James Gunn with Guardians of the Galaxy and in part because of the rapid dissolution of their relationship with Edgar Wright on Ant-Man, the Marvel house style has been scrutinized (and imitated, and commented upon) by people all over.
Warner Bros. has been getting a lot of attention, too, almost none of it good. Man of Steel‘s reputation isn’t exactly getting stronger with age, and Zack Snyder has done little to show that he understands why that is. And the recently announced Aquaman film demonstrated a similarly dim view, hiring two guys with good relationships to the company and awful track records with, uh, actually making decent films. So far as I can tell, precisely no one is excited for the recently announced 10-film slate. And with good reason!
Over at GeekRex, I review Rich Hill, a poignant coming of age film and the Sundance Grand Jury Documentary Winner (US).
Click here to read my full review at GeekRex.
Last week, pretty much everyone with an Internet connection pointed out that Zack Snyder, the director of Man of Steel, Batman V. Superman: Dawn of Justice, and (presumably) the upcoming Justice League film, supposedly called in to a Detroit-based morning radio show to defend Aquaman. He commented: Continue reading
Over at Luxury Reading, I’ve had a number of book reviews go up recently. Check below and pick up something fantastic.
Natalie S. Harnett’s The Hollow Ground is a coming-of-age drama about a young girl in Pennsylvania in the mid-1900s living in one of the towns infamous for the ever-burning underground coal fires. Check out my review by clicking here!
Chang-rae Lee’s On Such a Full Sea is a smart, literary dystopian drama about a girl who leaves her oppressive enclave in search of her boyfriend, taken in the night by a mysterious organization. Head over to Luxury Reading for my full review.
Ian Doescher’s The Empire Striketh Back may be a novelty act, retelling The Empire Strikes Back in the form and language of a Shakespeare play, but it’s a pretty damn thorough one. The curious can see my thoughts here…
Perhaps the weirdest legacy of Orson Welles’ iconic, excellent 1941 film Citizen Kane is the way it has, for decades now, been used as a benchmark for pretty much every type of art imaginary. Magic Mike, Steven Soderbergh’s underappreciated 2012 drama was declared ‘the Citizen Kane of stripper movies‘ in one memorable review. There’s literally an entire Tumblr that does nothing but collect articles about the ever-elusive ‘Citizen Kane of video games.’ If you’re the best at what you do, you will get compared to Citizen Kane.
So what, then, is the Citizen Kane of video games? And why do we care so much?